Matthew Comer | Photographer

New York City 'High Rise' by Matthew Comer

2011-09-26T11:16:00.001-07:00

www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)Keep checkin' back!
This has come from my Flickr Account

ROOFTOPS & WATERTOWERS - ADVERT & PRESS RELEASE

2010-02-08T06:53:00.000-08:00

CALLING ALL BLOGGERS!!I INVITE YOU TO COME DOWN TO MY EXHIBITION AT URBAN OUTFITTERS TO ENJOY THE NIGHT. FREE DRINKS, FREE FOOD AND GREAT MUSIC.ALL CELEBRATING THE NEW PHOTOGRAPHIC EXHIBITION. www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
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Matthew Comer Neon America 2009 001

2010-02-01T03:27:00.001-08:00

"Neon America" including unseen shots!

2010-01-29T12:18:00.001-08:00

"Neon America" including unseen shots!

2010-01-29T12:15:00.001-08:00

Sometimes these things just need to be done :)

2009-12-19T19:05:00.001-08:00

A pre birthday drink with my bro Mike started the fortnights celebrations with a bang this week. Birthdays, anniversaries, family get togethers, christmas, boxing day and then the New Year! Well New Decade!

This is what woke up to last Saturday :/

All photos taken and copyrighted by Matthew Comer, unless otherwise stated...
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Matthew Comer - Posted using my iPhone

Location:Manchester,United Kingdom

Tom Ford: Design Director: New York Times

2009-12-03T01:00:00.001-08:00

Article from New York Times

IT is a wonder that Tom Ford, the former creative director of Gucci and Yves Saint Laurent who turned louche sexuality into high fashion in the 1990s, didn’t try his hand at directing a movie sooner.
On a recent Wednesday, Mr. Ford walked across a courtyard at the Beverly Hills Hotel to meet a guest for lunch. His stride was deliberate, arms slightly bent to frame his rigid torso. As he approached the table, he removed his tea-colored sunglasses. He smelled like vanilla bean. Slipping into his seat, Mr. Ford tipped his chin to his left shoulder — a conscious gesture to highlight his best side, he later volunteered. He purred hello.
Played for visual impact, it was a moment much like a scene in his directorial debut, “A Single Man,” where the main character, George Falconer, meticulously arranges a suit and tie to wear to a funeral.
Mr. Ford’s most riveting creation — more than the velvet hip-huggers he introduced in 1994 or the Opium perfume ad from 2001 featuring a writhing, naked Sophie Dahl — is his public persona. So much so, Mr. Ford said that friends have recently told him they are surprised to find that someone so seemingly calculated could make such a soulful film.
Mr. Ford isn’t one to show hurt feelings. “I think of myself as a product,” he said as he adjusted the placement of his fork and knife. But clearly such slights sting.
“I had one friend whom I’ve known for 15 years who said, ‘I’ve always thought of you as a beautiful black lacquered box with a platinum handle from the 1920s, but I never knew there was anything inside the box,’ ” Mr. Ford said. “I was, like, ‘You’ve been my friend, and you did not know there was anything more than the surface?’ ”
“A Single Man,” which opens in limited release Dec. 11, has won plaudits from critics, particularly for Colin Firth’s sensitive portrayal of George, a 1960s gay professor who contemplates suicide after his longtime partner dies in an accident.
Such accolades are something of a triumph for Mr. Ford, who was forced to finance the nearly $7 million project with his own money, after leaving Gucci in 2004 and announcing that he would become an auteur. It was a transition some in fashion thought made perfect sense given his meticulous attention to surface — and others thought was doomed, for the same reason. Until the Weinstein Company picked up “A Single Man” at the Toronto International Film Festival in September, it had no distributor.
But that kind of love goes only so far in Hollywood. For Mr. Ford to have a bona fide hit, the movie must appeal to as wide an audience as possible, much the same way “Brokeback Mountain” did in 2005. (That movie earned $83 million at the domestic box office.) If “A Single Man” manages to garner a few Oscar nominations, too, the attention could propel Mr. Ford back into the familiar role of cultural arbiter. When asked about it, he is too cautious to make a prediction. But it is a role he has sorely missed since leaving Gucci.
In the 1990s, Mr. Ford was arguably the most influential fashion designer of his generation, re-imagining 1970s chic with unsubtle sex appeal. Under his guidance, the houses of Gucci and, later, Yves Saint Laurent flourished, with Mr. Ford overseeing every creative aspect — fashion, advertising, even store design — and making the labels a can’t-live-without. But after a rancorous spat with his bosses, he left Gucci and joined the ranks of the once powerful, now unemployed.
Announcing that his next act would be filmmaking, he began spending more time in Los Angeles, where he has a home with his longtime partner, Richard Buckley.
“He was like, ‘O.K., movies!’ ” said Lisa Eisner, a publisher who has known Mr. Ford for two decades.
Now 48, Mr. Ford conceded that he wasn’t prepared for the transition. His lawyer told him to take some time before jumping into another high-profile project. But Mr. Ford balked. “I thought to myself, ‘I’m going to lose my mind,’ ” he said. “I no longer had a voice in contemporary culture.”
Like many executives facing a career crisis, Mr. Ford grappled with his self-identity. He said he struggled with depression and found spiritual meaning in the writings of Eckhart Tolle. Moviemaking, too, proved humbling. “I thought, Who needs a ‘Tom Ford’ movie?” Mr. Ford said. At Gucci, he was a superstar designing 16 collections a year. But in Hollywood, he was just another first-time filmmaker, albeit with well-connected friends.
As Ms. Eisner put it: “You are king of the world and then you are not. For him it was a lot of downtime and he does not have downtime.”
In 2006, Mr. Ford bought the rights to “A Single Man,” the 1964 novel written by Christopher Isherwood, along with a script by David Scearce, which Mr. Ford decided to rewrite. To prepare, he read books, including “On Directing Film” by David Mamet. He showed an early draft to a studio executive, who told him to hire a professional. He tried collaborating with a screenwriter, but they disagreed. In all, Mr. Ford said he revised the script 15 times in less than two years.
The serious story — suicide, death, tragic romance — was a departure from the Tom Ford of Gucci who liked to provoke. (In one of his more controversial Gucci ads, a woman tugs at her panties to reveal a patch of hair shaped like a “G.”)
“When he first showed me the script I was shocked,” said Arianne Phillips, the movie’s costume designer. “If this was the movie Tom Ford ‘the director’ wanted to make, I did not know Tom Ford ‘the person.’ ”
Ms. Eisner added, “When people think of Tom they think he has sex a million times a day.”
The subject matter, too, made it difficult for Mr. Ford to get a studio to finance his film. His friends told him to create a short film to show what he could do. Mr. Ford said he had a verbal agreement with two investors last year but the deal fell through after the stock market tumbled.
His agents, he said, told him not to pay for film production himself. But Mr. Ford made a lot of money at Gucci and decided to do so anyway. Besides, it afforded something he covets most: complete creative control.
In one scene, the contents of George’s medicine drawer are laid out in a grid much like Mr. Ford’s drawer at home. “I styled all that,” he said. “Every bit of it is me.”
In another scene, Charley, George’s close friend and a former lover, played by Julianne Moore, puts on her makeup before dinner, one eye bare, the other elaborately painted. “It was artistry and artifice in one moment,” Ms. Moore said. “He was careful about what he wanted to communicate.”
But there are darker parallels, too. When George prepares to commit suicide, he crawls into a sleeping bag, gun in hand, so he won’t sully the white bedspread. Mr. Ford said that a relative of his died that way, even laying out the clothes for his funeral as George does in the film.
Of course directing actors is different from posing models in advertisements or on the runway; actors talk and, often, talk back. What may surprise viewers most about the film is the richly human performances Mr. Ford has elicited — or, at least, enabled. With a brief 21-day shoot, the director and actors mostly discussed the characters ahead of time, or, if Mr. Ford wanted something specific, it was spelled out in the script. “I never stepped in to tell them how to give a line,” he said.
He gave Ms. Moore and Mr. Firth their freedom.
“At one point I started humming and moving my shoulders,” Ms. Moore said of the scene where Charley applies her makeup. “It wasn’t in the script, but it felt right. I would not have been able to do that if Tom was standing over me, telling me what to do.”
That said, she added, “Tom is completely and utterly in control at all times.”
On Sept. 14, the Isabel Bader Theater at the Toronto film festival was packed with studio executives, directors, talent agents and curious onlookers who wanted to see what took Mr. Ford five years to produce. The film had been warmly received days earlier at the Venice Film Festival, where Mr. Firth won best actor. And though it was also applauded in Toronto, only one buyer emerged: The Weinstein Company, which paid $2 million for distribution rights in the United States and Germany, according to people apprised of the bid.
The problem, said an executive at a rival studio that decided not to make an offer, wasn’t Mr. Ford’s filmmaking. The movie is tricky to market. Even now, the Weinstein Company has been criticized for cutting Mr. Ford’s original trailer, taking out a kiss between George and his partner. Mr. Ford said he agreed to changes in the trailer only so it could be shown to a wider audience.
Mr. Ford has spent so much of his life crafting his public persona, it leads one to wonder if this movie is another attempt at rebranding Tom Ford, the product. He insisted, “It was the least calculated thing I’ve ever done.”
AS if on cue, Jason Reitman, the Academy Award-nominated director of “Juno,” approached Mr. Ford’s table at the Beverly Hills Hotel. He had seen the film in Toronto and wanted to say how much he loved it.
Mr. Ford brightened at the unexpected visitor. Earlier, he had been discussing how different viewers — gay men, straight women — reacted to a poignant moment where Charley professes her love for George and threatens their friendship. “Were you moved emotionally, even though you are straight?” Mr. Ford asked Mr. Reitman of the scene. Mr. Reitman looked confused. He wondered aloud if Mr. Ford was hitting on him.
“No, I wasn’t coming on to you,” Mr. Ford said.
Mr. Reitman did not recall the scene. When Mr. Ford’s guest began explaining its particular resonance with some viewers, Mr. Reitman scolded her: movies “are not meant to be told that way,” he said.
He continued the lecture as Mr. Ford watched, wide-eyed and nervously laughing. Mr. Ford’s interview was being derailed.
“You should go away now,” he told Mr. Reitman, whose latest film is “Up in the Air.” He extended his hand to say goodbye. “It was great to see you.”
Mr. Reitman, though, kept talking.
“You are going to really kill me, aren’t you?” Mr. Ford told him.
After Mr. Reitman left, Mr. Ford turned to his guest and said, “I just asked, ‘What did you think?’ ”
Next time, better to keep to the script.

All photos taken and copyrighted by Matthew Comer, unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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Matthew Comer - Posted using my iPhone

'NEON AMERICA' EXHIBITION IS STILL SHOWING IN 'URBAN OUTFITTERS' UNTIL JANUARY

2009-11-27T08:45:00.001-08:00

'Neon America'
The bright lights of America. From coast to coast. One rule. It HAS to be neon.
On display at Urban Outfitters, Manchester.
Friday 9th October, 2009 (Private Viewing Only)
Saturday 10th October, 2009 (Public Launch)
Taken from the ongoing collection 'On The Road' by Matthew Comer.

CLICK THE SUBJECT FOR A MINI GALLERY... I'LL POST THEM ON HERE SOON.

www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
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MY WORK | 'THE GENERAL STORE' DV8 COVER SHOOT AND FASHION STORY

2009-11-27T08:27:00.001-08:00

MY WORK | 'LIPSY LONDON DV8 COVER SHOT' AND FASHION STORY

2009-11-27T08:24:00.001-08:00

MY WORK | 'PRESERVED VINTAGE' SHOOT FOR LUCY BAXTER WITH HAYLEY JANE WARNES

2009-11-27T08:21:00.001-08:00

MY WORK | 'NARS' + 'BARE ESSESUALS' PORTRAITS

2009-11-27T08:18:00.001-08:00

MY WORK | HAIR COMMISSION FOR STUDENT STYLISTS SHOW

2009-11-27T08:14:00.001-08:00

MY WORK | COVER SHOT FOR DV8 MARCH WITH 'MARINA FALLAHI'

2009-11-27T08:12:00.001-08:00

MY WORK | 'RICHARD TAYLOR' PORTRAITURE

2009-11-27T08:11:00.001-08:00

MY WORK | 'REEM KANJ' DV8 YEAR LONG COVER SHOT FOR 'GUIDE TO MANCHESTER'

2009-11-27T08:07:00.003-08:00

MY WORK | 'NER*D' LIVE

2009-11-27T08:07:00.001-08:00

MY WORK | 'RINOA' LIVE

2009-11-27T08:05:00.001-08:00

MY WORK | 'SWORN ENEMY' LIVE

2009-11-27T08:04:00.003-08:00

MY WORK | 'BRING ME THE HORIZON' LIVE

2009-11-27T08:04:00.001-08:00

EXHIBITION | COUNTER CULTURE COLLECTIVE

2009-11-27T08:03:00.001-08:00

My work was requested a while back to feature in a local talent collective. I was the only photographer in the show. All the original pieces were stolen before the end of the show.
www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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MY WORK | 'TWISTED WHEEL' PRESS SHOTS

2009-11-27T08:00:00.001-08:00

MY WORK | 'THOSE DANCING DAYS' PRESS SHOTS

2009-11-27T07:57:00.001-08:00

MY WORK | 'SHAPED BY FATE' PRESS SHOTS

2009-11-27T07:20:00.001-08:00

MY WORK | 'TAKING BACK SUNDAY' LIVE

2009-11-27T07:17:00.001-08:00

MY WORK | 'THE STREETS' LIVE

2009-11-27T07:13:00.001-08:00

MY WORK | 'ONE REPUBLIC' LIVE

2009-11-27T07:12:00.001-08:00

MY WORK | 'NEW FOUND GLORY' LIVE

2009-11-27T06:59:00.002-08:00

'THIS IS MANCHESTER' - Street Photography by me (part 3)

2009-11-27T06:59:00.000-08:00

MY WORK | BURLEQUE HALLOWEEN SHOOT

2009-11-27T06:58:00.000-08:00

BEHIND THE SCENES

www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
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MY WORK | 'THE ZERO SYMPHONY' PRESS SHOTS

2009-11-27T06:55:00.001-08:00

MY WORK | 'CAGE THE ELEPHANT' PRESS SHOTS

2009-11-27T06:54:00.001-08:00

MY WORK | 'POLAR BEAR CLUB' PRESS SHOTS

2009-11-27T06:53:00.001-08:00

Annabelle backstage at the cover shoot in circle

2009-11-27T06:52:00.001-08:00

'THIS IS MANCHESTER' - Street Photography by me (part 2)

2009-11-27T05:48:00.002-08:00

EVENT | REDKEN CHRISTMAS DRINKS

2009-11-27T05:48:00.000-08:00

MANHATTAN CHRISTMAS CARDS - VERY LIMITED EDITION...

2009-11-27T05:46:00.000-08:00

These are very limited edition Christmas Cards
There were 25 mixed cards produced. There are only a few leftTO ORDER CLICK THE SUBJECT FIELD :)

www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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'THIS IS MANCHESTER' - Street Photography by me

2009-11-27T05:44:00.000-08:00

MY WORK | 'THE MAPLE STATE' PRESS SHOTS

2009-11-27T05:40:00.003-08:00

MY WORK | 'THE LOYALTIES' PRESS SHOTS

2009-11-27T05:40:00.001-08:00

MY WORK | 'DEFEATER' PRESS SHOTS

2009-11-27T05:39:00.003-08:00

MY WORK | 'VEILS' LIVE

2009-11-27T05:38:00.003-08:00

MY WORK | 'TWISTED WHEEL' LIVE

2009-11-27T05:38:00.001-08:00

MY WORK | 'THOSE DANCING DAYS' LIVE

2009-11-27T05:37:00.001-08:00

MY WORK | 'THE WARRIORS' PRESS SHOTS

2009-11-27T05:09:00.001-08:00

MY WORK | 'TURIN CHAPTERS' PRESS SHOTS

2009-11-27T05:08:00.004-08:00

MY WORK | 'THE SKYLINE' PRESS SHOTS

2009-11-27T05:08:00.002-08:00

MY WORK | HEIR TO THE THRONE

2009-11-27T05:08:00.000-08:00

MY WORK | MORE DEEZ NUTZ

2009-11-27T05:07:00.001-08:00

EVENT | L'OREAL COLOUR TROPHEY

2009-11-27T05:06:00.001-08:00

XXX

2009-11-27T05:05:00.003-08:00

I've just come across this from a Diesel event that kicked off a little while back... I love this whole layout and style... I may have to steal this idea in the future some time :/
www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
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BEHIND THE SCENES AT THE PINUP SHOOT

2009-11-27T05:04:00.000-08:00

My Girl

2009-11-27T05:02:00.002-08:00

I love my girl! xx
www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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EVENT | NAKEDNESS WITH THE GENERAL STORE!

2009-11-27T05:02:00.000-08:00

MY WORK | RIVER ISLAND FASHION SHOW (BEATMODE)

2009-11-27T04:50:00.003-08:00

MY WORK | MAYBELLINE CATWALK

2009-11-27T04:49:00.002-08:00

MY WORK | LEEDS FASHION SHOW

2009-11-27T04:49:00.000-08:00

MY WORK | KENZO CATWALK

2009-11-27T04:47:00.005-08:00

MY WORK | CLOTHES SHOW LIVE part 6

2009-11-27T04:47:00.001-08:00

MY WORK | CLOTHES SHOW LIVE part 5

2009-11-27T04:46:00.001-08:00

MY WORK | CLOTHES SHOW LIVE part 4

2009-11-27T04:45:00.002-08:00

MY WORK | CLOTHES SHOW LIVE part 3

2009-11-27T04:45:00.000-08:00

MY WORK | SOPHIE HANNAM PORTRAITS

2009-11-27T04:41:00.000-08:00

MY WORK | RICHARD TAYLOR MENSWEAR SHOOT

2009-11-27T04:39:00.000-08:00

West Coast

2009-11-27T04:09:00.001-08:00

I cannont wait for this again!!

All photos taken and copyrighted by Matthew Comer, unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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Matthew Comer - Posted using my iPhone

Model As Muse - New York

2009-11-26T17:28:00.001-08:00

Model as muse exhibition at the met in New York. Amazing. Love this little splatter of photographic history at the end.

All photos taken and copyrighted by Matthew Comer, unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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Matthew Comer - Posted using my iPhone

Louis vuitton 5th ave campaign bill

2009-11-24T21:53:00.001-08:00

This a nice change to some of the campaigns I have seen lately. A great image and a powerful message.

All photos taken and copyrighted by Matthew Comer, unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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Matthew Comer - Posted using my iPhone

Awesome Diesel campaign!!

2009-11-24T21:43:00.000-08:00

Absolutely love this whole campaign!!

Taken by Annabelle Rachael Taylor

All photos taken and copyrighted by Matthew Comer, unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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Matthew Comer - Posted using my iPhone

SELFRIDGES 100th BIRTHDAY

2009-11-24T06:12:00.001-08:00

Just come across these shots I took for a feature on the selfridges birthday celebrations...
www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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SCHWEPPES VINTAGE FAIR AND CELEB VISITS

2009-11-24T06:09:00.001-08:00

RICHARD BACKSTAGE ON LOCATION SHOOT IN BLACKPOOL, UK

2009-11-24T06:07:00.001-08:00

POP, BUBBLE, ROCK BEACH PARTY

2009-11-24T06:06:00.001-08:00

WALL OF NOISE WITH FRONT MAGAZINE

2009-11-24T05:55:00.001-08:00

WALL OF NOISE EVENT WITH FRONT MAGAZINEFeaturing Funeral For A Friend, Go: Audio, The Blackout, Will Blake and the search from the next Alt Girl

www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
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BACKSTAGE AT THE EDGE FASHION SHOW

2009-11-24T05:44:00.001-08:00

BACKSTAGE AT LEEDS FASHION SHOW

2009-11-24T05:37:00.001-08:00

BACKSTAGE AT THE RIVER ISLAND FASHION SHOW

2009-11-24T05:31:00.001-08:00

MY WORK | THE WAREHOUSE PROJECT | DV8

2009-11-24T05:27:00.001-08:00

The Warehouse Project with Late Of The Pier.

www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
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COMMISSION | JOHN YATES HAIR CAMPAIGN

2009-11-23T14:41:00.001-08:00

MY WORK | JOHN GALLIANO

2009-11-23T14:37:00.001-08:00

MY WORK | JC DE CASTELBAJAC CATWALK

2009-11-23T14:36:00.001-08:00

MY WORK | GILES CATWALK

2009-11-23T14:35:00.001-08:00

MY WORK | GARETH PUGH CATWALK

2009-11-23T14:34:00.001-08:00

MY WORK | DOLCE & GABBANA CATWALK

2009-11-23T14:33:00.003-08:00

MY WORK | THE CLOTHES SHOW LIVE part 2

2009-11-23T14:33:00.001-08:00

MY WORK | THE CLOTHES SHOW LIVE part 1

2009-11-23T14:32:00.001-08:00

MY WORK | CHRISTOPHER KANE CATWALK

2009-11-23T14:31:00.001-08:00

MY WORK | ANTI-SPORTSWEAR

2009-11-23T14:30:00.001-08:00

Commission by the lovely Alex to shoot her degree collection of Anti-Sportwear. the location was meant to look cheap and 'chavy' and the clothes were huge oversized garments.
www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
If you use any imagery or post info, please credit me. If my logo is present on my work please respect it and keep it :)
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MY WORK | CARRIE ANN TOFT SHOOT

2009-11-23T14:27:00.001-08:00

MY WORK | BURBERRY CATWALK

2009-11-23T14:24:00.001-08:00

MY WORK | BLACK ROSE CLOTHING CAMPAIGN

2009-11-23T14:22:00.001-08:00

PUBLISHED | DV8 COVER SHOT FOR MARCH 2009

2009-11-23T13:14:00.001-08:00

PUBLISHED | ONE REPUBLIC | DV8

2009-11-23T13:13:00.003-08:00

PUBLISHED | THE STREETS | DV8

2009-11-23T13:13:00.001-08:00

PUBLISHED | NER*D | MAYHEM MAGAZINE

2009-11-23T13:12:00.001-08:00

PUBLISED | PULP MAGAZINE COMMUNITY ISSUE

2009-11-23T13:11:00.001-08:00

PUBLISHED | HAVE HEART | COVER AND FEATURE FOR ASFAR

2009-11-23T13:10:00.001-08:00

COMMISSION | MMU SPORTS CALENDAR 2009

2009-11-23T13:09:00.001-08:00

I was commissioned to produce to 2009 MMU Sports team calendar. Here is a snippet from that.
www.Matthew-Comer.com
All photos taken and copyrighted by Matthew Comer (me), unless otherwise stated...
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PUBLISHED | BLACK LUNGS | MAYHEM MAGAZINE

2009-11-23T13:07:00.003-08:00

PUBLISHED | BRING ME THE HORIZON | MAYHEM MAGAZINE

2009-11-23T13:07:00.001-08:00

PUBLISHED | CAGE THE ELEPHANT | DV8

2009-11-23T13:06:00.001-08:00

Matthew Comer | Photographer

New York City 'High Rise' by Matthew Comer

ROOFTOPS & WATERTOWERS - ADVERT & PRESS RELEASE

Matthew Comer Neon America 2009 001

"Neon America" including unseen shots!

"Neon America" including unseen shots!

Sometimes these things just need to be done :)

Tom Ford: Design Director: New York Times

'NEON AMERICA' EXHIBITION IS STILL SHOWING IN 'URBAN OUTFITTERS' UNTIL JANUARY

MY WORK | 'THE GENERAL STORE' DV8 COVER SHOOT AND FASHION STORY

MY WORK | 'LIPSY LONDON DV8 COVER SHOT' AND FASHION STORY

MY WORK | 'PRESERVED VINTAGE' SHOOT FOR LUCY BAXTER WITH HAYLEY JANE WARNES

MY WORK | 'NARS' + 'BARE ESSESUALS' PORTRAITS

MY WORK | HAIR COMMISSION FOR STUDENT STYLISTS SHOW

MY WORK | COVER SHOT FOR DV8 MARCH WITH 'MARINA FALLAHI'

MY WORK | 'RICHARD TAYLOR' PORTRAITURE

MY WORK | 'REEM KANJ' DV8 YEAR LONG COVER SHOT FOR 'GUIDE TO MANCHESTER'

MY WORK | 'N*E*R*D' LIVE

MY WORK | 'RINOA' LIVE

MY WORK | 'SWORN ENEMY' LIVE

MY WORK | 'BRING ME THE HORIZON' LIVE

EXHIBITION | COUNTER CULTURE COLLECTIVE

MY WORK | 'TWISTED WHEEL' PRESS SHOTS

MY WORK | 'THOSE DANCING DAYS' PRESS SHOTS

MY WORK | 'SHAPED BY FATE' PRESS SHOTS

MY WORK | 'TAKING BACK SUNDAY' LIVE

MY WORK | 'THE STREETS' LIVE

MY WORK | 'ONE REPUBLIC' LIVE

MY WORK | 'NEW FOUND GLORY' LIVE

'THIS IS MANCHESTER' - Street Photography by me (part 3)

MY WORK | BURLEQUE HALLOWEEN SHOOT

MY WORK | 'THE ZERO SYMPHONY' PRESS SHOTS

MY WORK | 'CAGE THE ELEPHANT' PRESS SHOTS

MY WORK | 'POLAR BEAR CLUB' PRESS SHOTS

Annabelle backstage at the cover shoot in circle

'THIS IS MANCHESTER' - Street Photography by me (part 2)

EVENT | REDKEN CHRISTMAS DRINKS

MANHATTAN CHRISTMAS CARDS - VERY LIMITED EDITION...

'THIS IS MANCHESTER' - Street Photography by me

MY WORK | 'THE MAPLE STATE' PRESS SHOTS

MY WORK | 'THE LOYALTIES' PRESS SHOTS

MY WORK | 'DEFEATER' PRESS SHOTS

MY WORK | 'VEILS' LIVE

MY WORK | 'TWISTED WHEEL' LIVE

MY WORK | 'THOSE DANCING DAYS' LIVE

MY WORK | 'THE WARRIORS' PRESS SHOTS

MY WORK | 'TURIN CHAPTERS' PRESS SHOTS

MY WORK | 'THE SKYLINE' PRESS SHOTS

MY WORK | HEIR TO THE THRONE

MY WORK | MORE DEEZ NUTZ

EVENT | L'OREAL COLOUR TROPHEY

XXX

BEHIND THE SCENES AT THE PINUP SHOOT

My Girl

EVENT | NAKEDNESS WITH THE GENERAL STORE!

MY WORK | RIVER ISLAND FASHION SHOW (BEATMODE)

MY WORK | MAYBELLINE CATWALK

MY WORK | LEEDS FASHION SHOW

MY WORK | KENZO CATWALK

MY WORK | CLOTHES SHOW LIVE part 6

MY WORK | CLOTHES SHOW LIVE part 5

MY WORK | CLOTHES SHOW LIVE part 4

MY WORK | CLOTHES SHOW LIVE part 3

MY WORK | SOPHIE HANNAM PORTRAITS

MY WORK | RICHARD TAYLOR MENSWEAR SHOOT

West Coast

Model As Muse - New York

Louis vuitton 5th ave campaign bill

Awesome Diesel campaign!!

SELFRIDGES 100th BIRTHDAY

SCHWEPPES VINTAGE FAIR AND CELEB VISITS

RICHARD BACKSTAGE ON LOCATION SHOOT IN BLACKPOOL, UK

POP, BUBBLE, ROCK BEACH PARTY

WALL OF NOISE WITH FRONT MAGAZINE

BACKSTAGE AT THE EDGE FASHION SHOW

BACKSTAGE AT LEEDS FASHION SHOW

BACKSTAGE AT THE RIVER ISLAND FASHION SHOW

MY WORK | THE WAREHOUSE PROJECT | DV8

COMMISSION | JOHN YATES HAIR CAMPAIGN

MY WORK | JOHN GALLIANO

MY WORK | 'NER*D' LIVE

PUBLISHED | NER*D | MAYHEM MAGAZINE